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At A Glance
- Model Name
- Robert Smith UltraCure VI
- Item Number
- 363
- Country of Origin
- South Korea
- Guitar Color Shown
- Silver Burst Pearl (SVBP)
- Tuners
- Hipshot Grip-Lock
- Fretboard
- Rosewood
- Neck Material
- Maple 3-pc w/ Carbon Fiber Reinforcement Rods
- Inlays
- Mother of Pearl Blocks
- Scale
- 30" (762mm)
- Neck Shape
- Thin 'C'
- Thickness
- @ 1st Fret- .787" (20mm)/ @ 12th Fret- .866" (22mm)
- Frets
- 24 X-Jumbo
- Fretboard Radius
- 14" (355mm)
- Nut
- Graph Tech XL Black Tusq
- Nut Width
- 1.653" (42mm)
- Truss Rod
- 2-Way Adjustable Rod w/ 5/32" (4mm) Allen Nut
- Guitar Colors
- Silver Burst Pearl (SVBP)
- Hardware Color
- Chrome
- Top Contour
- Flat Top w/Raised Center
- Dexterity
- Right Handed
- Construction
- Set-Neck w/Ultra Access
- Body Material
- Mahogany
- Bridge
- TonePros System w/Custom Brass Saddles
- Controls
- Volume/Tone/ 3 On-Off Slider Switches
- Bridge Pickup
- Seymour Duncan SJAG-1B
- Middle Pickup
- Seymour Duncan SJAG-1M
- Neck Pickup
- Seymour Duncan SJAG-1N
- Knobs
- Metal Knurled w/ Set Screw
- Strings
- Ernie Ball Hellcat VI Custom Strings (90-75-56-44-34-24)
- Case
- UltraCure-VI G&G Hardcase (982) "Case Sold Separately"
Schecter built the Robert Smith UltraCure VI as a signature baritone six-string bass-guitar hybrid, positioned within the UltraCure line as a high-specification artist instrument. The model carried item number 363 and was finished in Silver Burst Pearl. Construction followed a set-neck design with Ultra Access, pairing a mahogany body with a three-piece maple neck reinforced by carbon fiber rods — an arrangement Schecter used to address long-scale stability at the instrument's 30-inch scale.
The rosewood fretboard ran 24 X-Jumbo frets across a 14-inch radius, with a Thin 'C' neck profile measuring .787 inches at the first fret and .866 inches at the twelfth. The 42mm Graph Tech XL Black Tusq nut fed into Hipshot Grip-Lock tuners. Hardware throughout was chrome, anchored by a TonePros bridge system with custom brass saddles. Three Seymour Duncan Jazzmaster-voiced pickups — SJAG-1N at the neck, SJAG-1M in the middle, and SJAG-1B at the bridge — were controlled via a volume knob, a tone knob, and three individual on-off slider switches, all mounted with metal knurled knobs secured by set screws. The instrument shipped strung with Ernie Ball Hellcat VI Custom Strings gauged 90-75-56-44-34-24. A matching G&G hardcase (item 982) was available separately.
Owners seeking setup assistance, fret work, or hardware replacement should consult a qualified guitar technician familiar with baritone-scale instruments, as the 30-inch scale and non-standard string gauges influence nut slot dimensions, saddle spacing, and intonation procedure.
STRAIGHT TALK
What Stands Out
Keep In Mind
From the people who own them
Nothing in The Vault is for sale. These records exist so the instruments stay documented after the manufacturer moves on — and the most useful part of that record is what owners add to it.
Owner photos
Put yours on the record.
The catalog shot showed one finish, under one light, a long time ago. Yours has been played. Photos from owners are what the next person finds when they are trying to identify a part, match a finish, or work out whether the one they just bought is really what the seller said it was.
What do you know about this one?
Specs only go so far. What actually fits, what breaks first, what the factory got right and what everyone ends up changing — that lives with the people who own them, not in a datasheet. Post what you know and it stays on this page for whoever comes looking next.
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From spec questions to full builds — players who have lived this gear since 2007.
Since 2007
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