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At A Glance
- Inputs
- Mic XLR Balanced. Line level 1/4" Unbalanced, Nominal line level of-10 dBV
- Frequency Response
- 43 Hz to 20 kHz, Channel volume knobs set at 3/4 full scale
- Signal to Noise Ratio
- 74 dB, All controls set at maximum undipped level, bandwidth 22 kHz
- System Gain @ 1 kHz
- 21 dB, Line Input to master output
- Channel EQ (High, Low
- 2.6 kHz and above, 0.9 kHz and below, Low boost/cut: +/- 9.8 dB at 63 Hz High boost/cut: +/- 2.0 dB at 8.0 Hz
- Powerlink
- IN: Accepts a pre-master volume signal from another PW4EX or PW50/100/150 product, or a line level input from another audio product., Recommended use: Daisy chaining to another PW4EX for expanding the number of channels.
- Phantom Power
- 17 V, Available on all MIC inputs. Current limited to 5 mA
- Power Requirements
- 18Vdc, Wall adapter is included
- Output Configuration
- Mono
- Weight
- 2 lbs
Powerwerks built the PW4EX as a four-channel MIC/LINE mixer with a mono output, positioned as an expansion unit within the Powerwerks tower system. It functioned both as a standalone mixer and as a satellite unit that could be chained to other Powerlink-equipped Powerwerks products to increase the total number of available channels.
Each of the four inputs accepted a balanced XLR microphone connection or an unbalanced 1/4" line-level connection at a nominal level of -10 dBV. All XLR inputs carried phantom power at 17 V, current-limited to 5 mA. Each channel provided independent volume control along with a two-band EQ: a high shelf operating at 2.6 kHz and above (±2.0 dB at 8.0 kHz) and a low shelf operating at 0.9 kHz and below (±9.8 dB at 63 Hz). The unit measured a signal-to-noise ratio of 74 dB with all controls at maximum undipped level across a 22 kHz bandwidth, and a system gain of 21 dB at 1 kHz from line input to master output. Frequency response ran from 43 Hz to 20 kHz with channel volume knobs set at three-quarters full scale. The Powerlink IN jack accepted a pre-master signal from another PW4EX or a compatible PW50, PW100, or PW150 unit, while the Powerlink OUT exported a pre-master signal to those same products. Main output was available via XLR and 1/4". Power was supplied by an included 18 V DC wall adapter.
Owners requiring service, recalibration, or help sourcing a compatible replacement wall adapter or Powerlink-compatible unit should consult a qualified audio technician.
STRAIGHT TALK
What Stands Out
Keep In Mind
From the people who own them
Nothing in The Vault is for sale. These records exist so the instruments stay documented after the manufacturer moves on — and the most useful part of that record is what owners add to it.
Owner photos
Put yours on the record.
The catalog shot showed one finish, under one light, a long time ago. Yours has been played. Photos from owners are what the next person finds when they are trying to identify a part, match a finish, or work out whether the one they just bought is really what the seller said it was.
What do you know about this one?
Specs only go so far. What actually fits, what breaks first, what the factory got right and what everyone ends up changing — that lives with the people who own them, not in a datasheet. Post what you know and it stays on this page for whoever comes looking next.
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Gear Help, Handled
From spec questions to full builds — players who have lived this gear since 2007.
Since 2007
Fit & Compatibility
- Bridge, tuner, and nut fit confirmed for your guitar
- Pickup and electronics compatibility checks
- Pedal power and amp/cab impedance matching
Mods & Upgrades
- Upgrade paths for the guitars you already own
- Wiring, routing, and hardware swap guidance
- Advice from people who actually do the mods
The Vault
- Discontinued and EOL guitars kept on record
- Specs, history, and known part compatibility
- Share your builds and mods with the community
