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At A Glance
- Model Name
- Sin Quirin V-1
- Item Number
- 248
- Country of Origin
- South Korea
- Guitar Color Shown
- Satin Black (SBK)
- Tuners
- Schecter Locking
- Fretboard
- Ebony
- Neck Material
- Maple 3-pc
- Inlays
- Mother of Pearl Sin Symbol at 12th Fret
- Side Dot Markers
- Glow In The Dark
- Scale
- 25.5" (648mm)
- Neck Shape
- Thin 'C'
- Thickness
- @ 1st Fret- .787" (20mm)/ @ 12th Fret- .866" (22mm)
- Frets
- 24 X-Jumbo
- Fretboard Radius
- 14" (355mm)
- Nut
- Graph Tech XL Black Tusq
- Nut Width
- 1.653" (42mm)
- Truss Rod
- 2-Way Adjustable Rod w/ 5/32" (4mm) Allen Nut
- Guitar Colors
- Satin Black (SBK)
- Hardware Color
- Black
- Top Contour
- Flat Top
- Dexterity
- Right Handed
- Construction
- Set-Neck w/Ultra Access
- Body Material
- Mahogany
- Bridge
- TonePros T3BT TOM w/ String Thru Body
- Controls
- Volume/Volume/Tone/3-Way Switch
- Bridge Pickup
- EMG 57
- Neck Pickup
- EMG 66
- Battery Compartment
- 9-volt Clip-in Battery Compartment
- Knobs
- Metal Knurled w/ Set Screw
- Strings
- Ernie Ball Regular Slinky #2221 (.010-.046)
- Case
- SGR-8V "Case Sold Separately"
Schecter built the Sin Quirin V-1 as a signature instrument for Sin Quirin, positioned within the 247 series. The model carried item number 248 and was finished in Satin Black. Construction followed a set-neck with Ultra Access joint on a mahogany body, paired with a three-piece maple neck and an ebony fretboard — a combination Schecter employed for sustain and tonal clarity in the higher-gain end of its catalogue.
The neck ran a 25.5-inch scale across 24 X-jumbo frets on a 14-inch radius board, with a Thin 'C' profile measuring 0.787 inches at the first fret and 0.866 inches at the twelfth. The nut was a Graph Tech XL Black Tusq unit at 1.653 inches wide, clamped by Schecter locking tuners. A TonePros T3BT tune-o-matic with string-through-body anchoring handled intonation and sustain at the bridge end. Active electronics consisted of an EMG 57 at the bridge and an EMG 66 at the neck, routed through a volume/volume/tone layout on a three-way switch, with power supplied by a clip-in 9-volt battery compartment. Hardware throughout was finished in black, including metal knurled knobs secured with set screws. The twelfth-fret inlay was a Mother of Pearl Sin Symbol; side markers were glow-in-the-dark dots. The truss rod accepted a 5/32-inch Allen key for two-way adjustment. The instrument shipped strung with Ernie Ball Regular Slinky .010–.046 strings. A case was sold separately under the SGR-8V designation.
Owners requiring setup adjustments, fret work, or active-pickup servicing should consult a qualified guitar technician familiar with set-neck instruments and EMG active systems.
STRAIGHT TALK
What Stands Out
Keep In Mind
From the people who own them
Nothing in The Vault is for sale. These records exist so the instruments stay documented after the manufacturer moves on — and the most useful part of that record is what owners add to it.
Owner photos
Put yours on the record.
The catalog shot showed one finish, under one light, a long time ago. Yours has been played. Photos from owners are what the next person finds when they are trying to identify a part, match a finish, or work out whether the one they just bought is really what the seller said it was.
What do you know about this one?
Specs only go so far. What actually fits, what breaks first, what the factory got right and what everyone ends up changing — that lives with the people who own them, not in a datasheet. Post what you know and it stays on this page for whoever comes looking next.
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From spec questions to full builds — players who have lived this gear since 2007.
Since 2007
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