Product images are provided for reference and may not represent the exact model, configuration, or included components.

At A Glance

Body Shape
Cutaway Dreadnought body
Top
Solid Sitka Spruce top
Back & Sides
Okoume back & Okoume sides
Neck
AW / Nyatoh neck
Fretboard
Ovangkol fretboard
Bridge
Ovangkol
Inlay
White dot inlay
Soundhole Rosette
Laser engraved rosette
Tuning Machine
Chrome Die-cast tuners
Nut Material
Bone
Number of Frets
20
Saddle Material
Compensated Bone
Bridge Pins
Ibanez Advantage
Strings
D'Addario XTAPB1253
String Gauge
.012/.016/.024/.032/.042/.053
String Space
11mm
Factory Tuning
1E,2B,3G,4D,5A,6E
Pickup
Ibanez T-bar Undersaddle
Preamp
Ibanez AEQ-TP2 preamp w/Onboard tuner
Output Jack
Balanced XLR & 1/4" outputs
Scale
651mm
A : Width
43mm at NUT
B : Width
56mm at 14F
C : Thickness
21mm at 1F
D : Thickness
22mm at 7F
Radius
400mmR
A : Length
20"
B : Width
15 3/4"
C : Max Depth
5"
Finish
Open Pore Natural
Description

Ibanez built the AW150CEOPN as part of the Artwood Series, positioning it as a cutaway dreadnought acoustic-electric intended for players who needed stage-ready amplification alongside traditional acoustic construction. The model carried a solid Sitka spruce top paired with Okoume back and sides, and was finished in an open pore natural treatment that left the wood surface largely unobstructed.

The neck, designated AW profile and constructed from Nyatoh, meets an Ovangkol fretboard across 20 frets, with a bone nut at 43mm width and a compensated bone saddle. The scale runs 651mm. Ibanez Advantage bridge pins secure D'Addario XTAPB1253 strings (.012–.053) at an 11mm string spacing. The Ovangkol bridge and laser-engraved soundhole rosette complete the top-end appointments, while chrome die-cast tuners handle intonation at the headstock. For amplification, the guitar was fitted with an Ibanez T-bar undersaddle pickup feeding an Ibanez AEQ-TP2 preamp with onboard tuner; output options include both a balanced XLR and a standard 1/4" jack, making the instrument compatible with either a PA system or a conventional amplifier.

Owners sourcing replacement parts — including bone nut blanks, compensated saddles, Ovangkol bridge components, or undersaddle pickup elements — should consult a qualified luthier or guitar technician, particularly given the specific neck profile dimensions and the dual-output preamp circuit.

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