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At A Glance
- Model Name
- Zacky Vengeance ZV 6661
- Item Number
- 311
- Country of Origin
- South Korea
- Guitar Color Shown
- Aged Natural Satin Black Burst (ANSBB)
- Tuners
- Grover
- Fretboard
- Ebony
- Neck Material
- Mahogany 3-pc
- Inlays
- Platinum Dots w/ZV Blade at 12th Fret
- Scale
- 24.75" (628mm)
- Neck Shape
- Thin 'C'
- Thickness
- @ 1st Fret- .787" (20mm)/ @ 12th Fret- .866" (22mm)
- Frets
- 22 X-Jumbo
- Fretboard Radius
- 14" (355mm)
- Nut
- Graph Tech XL Black Tusq
- Nut Width
- 1.653" (42mm)
- Truss Rod
- 2-Way Adjustable Rod w/ 5/32" (4mm) Allen Nut
- Guitar Colors
- Aged Natural Satin Black Burst (ANSBB)
- Hardware Color
- Distressed Chrome
- Top Contour
- Flat Top w/Bevel Edge
- Dexterity
- Right Handed
- Construction
- Set-Neck
- Body Material
- Swamp Ash
- Binding
- Black Multi-ply
- Bridge
- TonePros T3BT TOM & T1Z Tailpiece
- Controls
- Volume/Volume/Tone(Push-Pull)/3-Way Switch
- Bridge Pickup
- Seymour Duncan JB SH-4B
- Neck Pickup
- Seymour Duncan JB SH-4N
- Knobs
- Metal Knurled w/ Set Screw
- Strings
- Ernie Ball Regular Slinky #2221 (.010-.046)
- Case
- SGR-3S "Case Sold Separately"
Schecter built the Zacky Vengeance ZV 6661 as a signature model within its artist series, positioned around the playing requirements and aesthetic preferences of the signature artist. The instrument carried item number 311 and was finished in Aged Natural Satin Black Burst, designated ANSBB. Construction was set-neck, with a swamp ash body, three-piece mahogany neck, and ebony fretboard bound in black multi-ply binding. The flat-top body featured a bevel edge. The guitar was manufactured in South Korea.
The neck was cut to a Thin 'C' profile, measuring .787" (20mm) at the first fret and .866" (22mm) at the twelfth, with a 14" (355mm) radius fretboard carrying 22 X-Jumbo frets. The nut was a Graph Tech XL Black Tusq at 1.653" (42mm) width, and the truss rod was a two-way adjustable unit accessed via a 5/32" (4mm) Allen nut. Scale length ran 24.75" (628mm). Inlays were platinum dots with a ZV Blade inlay at the twelfth fret. Hardware throughout was finished in distressed chrome, including Grover tuners and a TonePros T3BT tune-o-matic bridge paired with a T1Z tailpiece. Pickups were a matched pair of Seymour Duncan JBs — the SH-4B at the bridge and SH-4N at the neck — wired to a volume/volume/tone (push-pull) layout with a three-way selector switch and metal knurled knobs. The guitar shipped strung with Ernie Ball Regular Slinky .010–.046 (set #2221). The SGR-3S case was sold separately.
Owners sourcing replacement parts — bridge saddles, nut blanks, tuner bushings, or pickup rings — should verify fit against the TonePros and Graph Tech component lines; a qualified guitar technician can confirm compatibility and carry out any setup or maintenance work.
STRAIGHT TALK
What Stands Out
Keep In Mind
From the people who own them
Nothing in The Vault is for sale. These records exist so the instruments stay documented after the manufacturer moves on — and the most useful part of that record is what owners add to it.
Owner photos
Put yours on the record.
The catalog shot showed one finish, under one light, a long time ago. Yours has been played. Photos from owners are what the next person finds when they are trying to identify a part, match a finish, or work out whether the one they just bought is really what the seller said it was.
What do you know about this one?
Specs only go so far. What actually fits, what breaks first, what the factory got right and what everyone ends up changing — that lives with the people who own them, not in a datasheet. Post what you know and it stays on this page for whoever comes looking next.
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Gear Help, Handled
From spec questions to full builds — players who have lived this gear since 2007.
Since 2007
Fit & Compatibility
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Mods & Upgrades
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