Product images are provided for reference and may not represent the exact model, configuration, or included components.

At A Glance

Model Name
C-7 FR SLS Elite
Item Number
1356
Country of Origin
South Korea
Guitar Color Shown
Antique Fade Burst (ANQFB)
Tuners
Grover Rotomatic 18:1
Fretboard
Ebony
Neck Material
Maple/Walnut/Padauk Multi-ply w/ Carbon Fiber Reinforcement Rods
Inlays
Abalone Offset/Reverse Dots
Side Dot Markers
Abalone Dots
Scale
26.5" (673mm)
Neck Shape
Ultra Thin 'C'
Thickness
@ 1st Fret- .748" (19mm)/ @ 12th Fret- .787" (20mm)
Frets
24 X-Jumbo Stainless Steel
Fretboard Radius
12"-16" Compound Radius
Nut
Floyd Rose 1500 Series
Nut Width
1.874" (47.6mm)
Truss Rod
2-Way Adjustable Rod w/ Heel Access Spoke Wheel
Guitar Colors
Antique Fade Burst (ANQFB)
Hardware Color
Black
Top Contour
Arched Top
Dexterity
Right Handed
Construction
Neck-Thru w/Ultra Access
Body Material
Swamp Ash
Top Material
Flamed Maple
Binding
Ivory 1-ply
Bridge
Floyd Rose 1500 Series
Controls
Volume (Push-Pull)/Tone (Push-Pull)/3-Way Switch
Bridge Pickup
Fishman Fluence Modern (Ceramic Magnet) Humbucker
Neck Pickup
Fishman Fluence Modern (Alnico Magnet) Humbucker
Battery Compartment
9-volt Clip-in Battery Compartment
Knobs
Metal Knurled w/ Set Screw
Strings
Ernie Ball 7-String (.009/.011/.016/.026/.036/.046/.062)
Case
SGR-1C "Case Sold Separately"
Description

Schecter positioned the C-7 FR SLS Elite (item 1356) as a high-specification seven-string instrument within the SLS Elite tier of the C-series line. The neck-thru-body construction with Ultra Access joint was paired with a swamp ash body and a flamed maple arched top, finished in Antique Fade Burst with ivory single-ply binding. Hardware was finished in black throughout.

The multi-ply maple, walnut, and padauk neck incorporated carbon fiber reinforcement rods and carried an ebony fretboard with a 12"–16" compound radius. Twenty-four X-jumbo stainless steel frets ran the 26.5" (673mm) baritone scale. The Floyd Rose 1500 Series bridge and matching locking nut handled the floating tremolo system, while Grover Rotomatic 18:1 tuners provided tuning stability at the headstock. Pickups were Fishman Fluence Modern humbuckers — a ceramic-magnet unit at the bridge and an alnico-magnet unit at the neck — both active designs drawing from a 9-volt clip-in battery. The push-pull volume and tone controls, along with a 3-way switch, allowed coil-splitting or voicing changes depending on pot configuration. The instrument shipped without a case; the SGR-1C was sold separately.

Owners requiring Floyd Rose 1500 Series replacement saddles, springs, or fine-tuners, or seeking setup guidance for the compound-radius fretboard or spoke-wheel truss rod adjustment, should consult a qualified guitar technician familiar with extended-range instruments and floating tremolo systems.

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